Three Firsts: Ten Pubs for Year, Four Pieces in One Week, and Two UK Journals

Trying to place work can frequently feel like head butting a stuffed rabbit. Still, this year (so far) has produced ten publications for me--a first. Also, this week, four pieces are appearing in four journals (second first), two of which are UK based journals (third first).

My recent semifinalist acknowledgement for the Hudson Prize and Black Lawrence Press for my story collection, The Survivor's Guide, has convinced me to hang in there--not that I was ever going to quit. But sometimes, I can forget that, to paraphrase Karl Ove Knausgaard in the ridiculously readable My Struggle: Book Two: “Writing is the only thing that matters.” You can read my related review here, at Trop Mag, from this past summer. 

"Our Satellite Problem" is up at the incomparable Eyeshot. Thanks to editor Lee Klein, who accepted my piece after I pulled a fast one on him. I also can't seem to forget this detail: I first sent this piece to The New Yorker Shouts and Murmurs (hint: "O.S.P." is humor), and their editors were encouraging. Although they rejected the story, they admitted they did so, "despite its evident merit." An experimental piece "Cogitations on Self" appears in a journal across the pond, Sein und Werden, for their auto de fe issue.

Since I decided early on that I wanted to be a working writer, as opposed to one who daydreams about shiny fake gold engraved plaques and hollow encomiums--which I do daydream about anyway--I suspected reviewing was one way to get readily published. Current reviews are: MaddAddam by Margaret Atwood in Review 31 (UK), and Sunland by Don Waters in the venerable Rain Taxi print issue.

The Southeast Review

The Southeast Review has kindly accepted my review of Tom Bissell's Magic Hours: Essays on Creators and Creation, to appear in their upcoming print issue.

Plagiarism Career Strategies

We are led to believe that the pressure to up the ante caused a speciously esteemed writer formerly of The New Yorker, Jonah Lehrer, to make up quotes from Bob Dylan, as well as re-use his own writing  for two separate publications.

I thought there was something odd when Lehrer quoted the Dylan story on two separate interviews on the occasion of his latest book's publication. I’d never heard that tale of how “Like a Rolling Stone” came to be written, and as a Dylan semi-literate, I thought I’d heard every detail.

Making up quotes is one thing, punishable and condemnable to stupidity for perpetuity, but I want to address the second point. The self-plagiarizing--which isn’t actually plagiarism--perhaps, it’s just as stupid. Maybe my indignation is to realize Lehrer got paid essentially twice, and couldn’t bother to do his job (writing!) and was arrogant enough to just rehash something without thinking twice. Don't tell me he simply cut and pasted. He knew what he was doing.

With so much opportunity for miraculous second chances in the publishing industry, plagiarism, or even plain old misrepresentation, has become a career strategy. Even the reporter* who caused such a scandal at the NYTimes took the opportunity to blog about the missteps of one whom he must believe can help foster and reinvigorate his stained career in journalism.

I’ve been told of a famous fiction writer teacher and medical doctor from a hallowed school who regularly stole from his best students’ work. The power structure prevented anyone from calling this guy out. Several times I’ve found my work copied and used on websites word for word with no attribution given to me such that I stopped thinking about it. I would imagine that this happens frequently on the web. There’s a certain amount of pride maybe, that someone thought enough of what I’d written to reuse it elsewhere--but geez, at least they could have given me proper credit.

I almost laughed when two people on NPR said that they thought this would end Jonah Lehrer’s career in journalism. Before I finish this blog he’ll be up and running again, with little recall of his indiscretion.

Lehrer with his Oxford Rhodes and ivy league anointment, will not suffer for it in the long run. Inevitably, someone will grant a pass to this writer and say, “he's only human”--which will really be saying, gosh darn, this guy is so talented, the profession can't afford to lose him. He'll have a remarkable rebirth via an eager agent and publisher who will temporarily and theatrically condemn him publicly, while they slap him commiseratively on the back and  plot his reemergence.

Disappointed are all those writers with integrity but without Lehrer's pedigree who face diminishing opportunities to earn something for their hard work. 

*Jayson Blair, fallen of the NYTimes